Incredible India

Sun Temple, Konârak
Brief Description
On the shores of the Bay of Bengal, bathed in the rays of the rising sun, the temple at Konarak is a monumental representation of the sun god Surya's chariot; its 24 wheels are decorated with symbolic designs and it is led by a team of six horses. Built in the 13th century, it is one of India's most famous Brahman sanctuaries.

Great Living Chola Temples
Brief Description
Two great Chola Temples of the 11th and 12th centuries have been added to the 11th century Brihadisvara temple of Thanjavur, inscribed in 1987. The Great Living Chola Temples were built by kings of the Chola Empire, which stretched over all of South India and the neighbouring islands. The site now includes the three great 11th and 12th century Chola Temples: the Brihadisvara temple of Thanjavur, the Temple of Gangaikondacholisvaram and the Airavatesvara temple at Darasuram. The Temple of Gangaikondacholisvaram, built by Rajendra I, was completed in 1035. Its 53-m vimana (sanctum tower) has recessed corners and a graceful upward curving movement, contrasting with the straight and severe tower at Thanjavur. It has six pairs of massive, monolithic dvarapalas statues guarding the entrances and bronzes of remarkable beauty inside. The Airavatesvara temple complex, built by Rajaraja II, at Darasuram features a 24-m vimana and a stone image of Shiva. The temples testify to the Cholas brilliant achievements in architecture, sculpture, painting, and bronze casting.

Justification for Inscription
Criterion (i): The three Chola temples of Southern India represent an outstanding creative achievement in the architectural conception of the pure form of the dravida type of temple.

Criterion (ii): The Brihadisvara Temple at Thanjavur became the first great example of the Chola temples, followed by a development of which the other two properties also bear witness.

Criterion (iii): The three Great Chola Temples are an exceptional and the most outstanding testimony to the development of the architecture of the Chola Empire and the Tamil civilisation in Southern India.

Criterion (iv): The Great Chola temples at Thanjavur, at Gangaikondacholapuram and Darasuram are outstanding examples of the architecture and the representation of the Chola ideology.

Notes
The "Brihadisvara Temple, Tanjavur", which was previously inscribed on the World Heritage List, is part of the "Great Living Chola Temples".

Mountain Railways of India
Brief Description
Still operational today, these hill passenger railways crossing regions of great beauty are outstanding examples of bold, ingenious engineering solutions for the problem of establishing an effective rail link through a rugged, mountainous terrain. The Darjeeling Himalayan Railway opened in 1881, while the Nilgiri Mountain Railway, though proposed in 1854, was begun in 1891 and completed in 1908 due to the difficulty of the mountainous location which scales an elevation of 326m to 2,203m. It was highly significant in facilitating population movement and the social-economic development in the British colonial era.

Justification for Inscription
Criterion (ii): The mountain railways of India are outstanding examples of the interchange of values on developments in technology, and the impact of innovative transportation system on the social and economic development of a multicultural region, which was to serve as a model for similar developments in many parts of the world.

Criterion (iv): The development of railways in the 19th century had a profound influence on social and economic developments in many parts of the world. The Mountain Railways of India are outstanding examples of a technological ensemble, representing different phases of the development in high mountain areas.

Rock Shelters of Bhimbetka

Brief Description
The Rock Shelters of Bhimbetka are in the foothills of the Vindhyan Mountains on the southern edge of the central Indian plateau. Within massive sandstone outcrops, above comparatively dense forest, are five clusters of natural rock shelters, displaying paintings that appear to date from the Mesolithic Period right through to the historical period. The cultural traditions of the inhabitants of the twenty-one villages adjacent to the site bear a strong resemblance to those represented in the rock paintings.

Justification for Inscription
Criterion (iii): Bhimbetka reflects a long interaction between people and the landscape, as demonstrated in the quantity and quality of its rock art.

Criterion (v): Bhimbetka is closely associated with a hunting and gathering economy as demonstrated in the rock art and in the relicts of this tradition in the local adivasi villages on the periphery of this site.

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About Bali

One of the most popular tourist destinations in the world, Bali for few years awarded as the world best island by The International Travel Magazine. There, however, are still many people who do not know in depth about the uniqueness of Balinese culture. Life in Bali is always related to "Tri Hita Karana" or a tripartite concept that include the spiritual relationship between human and God, and their environment.
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The rapid growth of development in tourism has had a big impact and influences to Bali tradition and lifestyle. Interestingly, Balinese culture is still as what it was, growing along with the of globalization. It is the Balinese civilization what makes the island different from other destination.
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Geography
Among 17,500 islands across the Indonesian archipelago, Bali is one of the 33 provinces of the Republic of Indonesia, the largest archipelagic country in the world, made up of 2,000,000 km2 of land with a chain of islands stretching over 500,000 km from Sumatra to Papua, and covers territorial waters of more than 5,000,000 km2.
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Situated between Java and Lombok, the island of Bali is located 8 to 9 degrees south of the equator with the Java Sea to the north, the Indian Ocean to the south. Bali's covers an area of 5,636 km2 or 0.29% of Indonesia, measuring just 90km long the north-south axis and less than about 140km from west to east.

Divided into three areas of water, the North Bali Sea is about 3,168km2, the East about 3.350km2, and the West about 2,982km2. Bali Sea covers an area of 9,500km2. The North Bali sea runs along the coastline of Buleleng, the East Bali Sea runs along the coastline of Karangasem, Klungkung and Gianyar, and the West Bali Sea include the coastline of Badung Tabanan and Jembrana.
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Climate
With sunshine shining throughout the year, Bali has a tropical monsoon climate, with pleasant day temperatures between 20 to 33 degrees Celsius or 68 to 93 degrees Fahrenheit. Rainy season starts from October to March, when the West monsoon brings heavy showers and high humidity. June to September is considered the driest season, with low humidity and it can be fairly cold in the evenings, the best time for any outdoor activities.
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Something unique can be found about climate in Bali. Even when it rains most times in the most parts of Bali you can often enjoy sunny days on the "Bukit", the hill south of Jimbaran. On the other hand, you may expect cloudy skies and drips throughout the year in Ubud and the mountainous areas. Most interestingly perhaps, the international weather reports for "Denpasar" or "Bali" mention showers and rain storms all times of the year. In higher regions such as in Bedugul or Kintamani you'll expect to wear either a sweater or jacket when evening falls.
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Topography
The province of Bali is divided into nine regencies (eight regencies and one municipality) with its own capital. Buleleng covers an area of 1,365.88 km2 or about 24% of the Bali's land. Jembrana covers an area of 841,80 km2 or about 14.94%, Karangasem 839,54 km2 or about 15% of Bali's land, Badung 420,09 km2, Denpasar 123,98 km2, Gianyar 368 km2, Klungkung 315,00 km2 and Bangli 520,81 km2 or about 31%.
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The topography of Bali is formed by a mountain chain that stretches from west to east splitting the island into two parts. Some of the volcanic peaks are active, including Mount Agung, 3,142m, the tallest point above sea level, and mount Batur 1717m. Some barren peaks include mount Merbuk, Patas, Seraya, Prapat Agung, Klatakan, Sanghyang, Mesehe, Musi, Lesung, Tapak, Adeng, Pengiligan, Catur, Penulisan and mount Abang. The north side of the mountain slopes is fairly steep, creating narrow lowland along the coastal area.

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Meanwhile, the south slopes are much leaner, forming a fertile plain that becomes the main center of Balinese culture. Some of the most beautiful white sandy beaches are in the south, including Sanur Beach, Kuta and Nusa Dua. The south slope also is home to four lakes, i.e. Lake Buyan (367 hectares), Lake Tamblingan (115 hectares), Lake Beratan (376 hectares) and Lake Batur (1,605 hectares).
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Flora & Fauna
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Flora
Just like common tropical islands, in Bali you will find a wide variety of plants by surprise. Huge banyan trees are everywhere in the villages by the Bale banjar or pavilion, or temples ground. Tamarind is also a typical Balinese tree mostly found in the north coast, as well as clove at the highlands. Meanwhile acacia, flame tree and mangrove can be found along the south coastlines. Craft and house use basketries, a dozen species of coconut palms and varieties of bamboos are also everywhere across the island.
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Flowers families are just as surprisingly as the variety of big plants. The most common are hibiscus, bougainvillea, jasmine, and water lilies. Magnolia, frangipani, and a variety of orchids are found in many front yards and gardens, along roads, and in temple grounds. In the day to day life flowers are routinely used as decorations in temples, on statues, as offerings for the gods, and during prayers. Dancers wear blossoms in their crowns, and flowers are worn behind the ear during ceremony sessions.
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Fauna
Like some other parts of Indonesia, Bali was home for big mammals such as elephant and tiger, although they no longer exist since early of last century. However, Bali still is rich of wildlife with the existence of various species of monkeys, civets, barking deer and mouse deer. There are 300 species of birds occupy the island including wild fowl, dollar birds, blue kingfishers, sea eagles, sandpipers, white herons and egrets, cuckoos, wood swallows, sparrows, and the endangered Bali starlings. The underwater world or marine life of Bali has been noted as one of the best in the world with various species such as dolphin, shark and sun fish, and some smaller inhabitants like
colorful coral fish, small reef fish, and moray eels, as well as crustaceans and sponges.
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The existence of these flora and fauna become necessary for the day to day life of Balinese, where ceremonies and rituals always flourish.
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People & Life Style
Bali's population of over 3,000,000 souls spread over the whole island, including those in the smaller islands of Nusa Penida, Nusa Ceningan, Nusa Lembongan, Serangan and Menjangan Island. The overwhelming majority of Balinese are Hindus, with the increasing number on non-Hindu migrating from the closest neighboring islands of Java and Lombok.
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The coastal areas in the south are the most populous area with over 370,000 people living in various professions in the capital of Denpasar. Farming has been the primary way of living in Balinese life. Where else fishing, trading and craftsmanship are also in fashion from generation to generation. Yet with the fast growing of tourism since past few decades, young people start to build up a new touch in their living culture.
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Life in Bali is very communal under the organization of villages. Temple ceremonies, marriage, cremation, farming and even the creative art festivals are decided by the local community institution called "Banjar". The responsibilities in the day-to-day life are normally administered by both the Banjar and the government. The local government mostly responsible for schools, health clinics, hospitals and roads, and Banjar is responsible for all other aspects of life. There is another association exists in the banjar named "Subak" that concerns to the production of rice and organizes the complex irrigation system. Every family who owns a rice field must be a member of their local Subak, which then ensures that every member gets his fair distribution of water. A banjar consists of an average of 50 to 150 family members, owning a meeting venue called the Bale Banjar, which is used for regular gatherings and a center for local gamelan orchestras and drama groups..
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How to get to Bali
With the increasing number of direct flight to Bali from some other parts of the world, it makes it easier to go to Bali. From Bali, flight to Jakarta is about 1.5 hours, to Singapore and Perth (Australia) 2.5 and 3 hours, to Hong Kong about 4.5 hours, and to Sydney/Melbourne about 5.5 to 6 hours, with various airlines offering their services. Please check at "airline info" for more information about flight schedules. Just make sure you look for "Denpasar (DPS)" instead of "Bali" in airline time tables. It is the capital of Bali. Or you can check your "Travel Agents" for more travel arrangements and accommodation.
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Economic
As the most populous area of the island the southern part Bali is where most jobs are to be found, mostly in the hotel or tourist industry, aside from the major farming industry. Smaller scales of home businesses are also in the trend such as textile or garment, handicrafts and souvenirs, providing Bali's economy with more than 200,000 jobs, and exports have been increasing around 6,7% (data August 2006 – August 2007) valued at around US$ 380 million. Of the total foreign exchange earners, textiles and garments contribute about 27,4% and wood products including statues, furniture and other handicrafts 18,2%. Silver work is ranked third 0,41% with 4,500 workers employed. And this sector keep growing steadily with target market widely open on the US, Europe and Japan.
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Rice has become an important agricultural product besides vegetables, fruits, coffee, copra, vanilla, soy beans and chilies. Most recently vineyards also can be found along the north coast line. Meanwhile fishing and seaweed farming are also important commodities for foreign markets. It is interesting to observe the ability of the people of Bali in coping with the globalization era which acquires professional skills.
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Local Transportation
Because of the size of the island, it is not difficult to get around Bali by various modes of transportation. The traditional types of transportation to the high class limousine are available for tourist to choose. Not to forget the sea transportation that connect Bali to some of its sister islands. However, train does not exist in Bali.
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Bemo : this is the most used transportation in Bali especially in the city of Denpasar. It is a miniature van with a routine route set by local government periodically. This type of transportation is good for short distance around town and cities, because of its size and passenger can get in and out at any point. Most importantly, it is cheaper compared to some other type of transportations, even though fairly slow. Price ranges usually around Rp 3,200 to Rp 4,000 per one stop over.
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Buses : there are buses for transportation between towns that relatively bigger compared to bemo. These buses connect all towns and most places of the island through local bus stations. Likewise bemo, buses also can be stopped at any point of the routes. They mostly operate day time inter island, but some are available at night for long distances within cities. Fares are between Rp. 1.500 to Rp. 10.000 per one stop point.
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Taxi : Taxi is the most efficient and convenience transportation in the island. Either chartered or metered one, they are everywhere and quite inexpensive compared to some other countries. In Bali there are some different companies providing taxi services.
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Rental Cars, Motorbikes and Bicycles : If you plan to explore Bali in half day or full day trip, the best way is hiring a car with the driver. The average rate is from Rp 120,000 to Rp 300,000 a day depending on the type of the vehicle. There are many independent car rentals around the island. If you wish to have better services, you can go to a Travel Agent. You even can hire a tour guide of your own language. The other possibility is to rent a self drive car. An international driving license from your own country is required. This rule also applicable for motorbike rental, but in some cases you can get a temporary permit at local police office. Price ranges are around
Rp. 35,000 to Rp. 50,000 per day for motorbike and Rp. 15,000 for bicycle. Likewise, a safety helmet is a compulsory when you ride a motorbike. Meanwhile, bicycles are normally available for rent at hotels. Some bigger resorts even provides bicycle tour for free including a professional tour guide.
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Dokar : in many areas of Indonesia, a traditional horse and cart transportation still can be found in many different versions. In Bali, this kind of transportation is known as "dokar". Nowadays, the use of dokar is simply limited due to efficiency. In some areas dokars are even prohibited by the government because it becomes a dwindling sight around the street. A dokar ride can be a fairly bumpy and unique experience. That is why some hotels and event organizers sometime offer a dokar ride for their guests, wedding couples or special groups.
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Sea transportation : to travel to some sister islands of Bali famous for their marine activities, local cruises is the most convenient. They normally offer a tour package including meal, activities and even a resort to stay over night. Some traditional boats are also in service for shorter distances such as to Serangan or Menjangan island.
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History
Bali has a long chain of history from the ice-age era (pre-historic time) to modern, global civilization era. With a dynamic characteristic indicating selectivity and flexibility, the Balinese culture initially reflects a configuration of an expressive culture dominated by religious, solidarity and aesthetic values. Nowadays, it develops along with the adoption of foreign values especially in the aspects of the economic, science and technology, as a result of the global modernization.
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In general, the history of Bali is divided into three different eras including the pre-historic, the Hindu-Buddhist era and the modern culture.
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The pre-historic marked the oldest and simplest way of life, an era of hunting and food-stuff gathering, verified by the discovery of several tools and hunting equipments. In the following era there were also building construction system and a particular communication system. These were just proofs of the existence and further development of Balinese culture. The Balinese culture flourished that nowadays one can indicates a perfect bonds between religions, tradition and culture to become the identity of the Balinese community.
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The Dutch seamen were the first Europeans to arrive on Bali and started to introduce western culture in 1597, though they hadn't discovered any appealing aspect until 1800s. Around 1846 the Dutch returned with colonization in their minds, having established a strong political base as majority of the Indonesian islands were under their control since the 1700s. The military campaign embarked from the northern coast of Bali. With the help of Sasak people of Lombok, by 1911, all Balinese principalities were under the Dutch control.
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The sense of Indonesian nationalism began to grow after the World War I, with the young generation declaring the national language in 1928, known as Bahasa Indonesia. During the height of World War II the Japanese arrived, expelling the Dutch and ruled the country for about 3.5 years, which ended later in 1945 when Indonesia declared independent led by its very first president, Sukarno. Yet the new-born nation was only recognized by the international community as an independent country in 1949.
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Incredible India - Taj Mahal

For centuries, the Taj Mahal has inspired poets, painters and musicians to try and capture its elusive magic in word, colour and son. Since the 17th century, travellers have crossed continents to come and see this ultimate memorial to love, and few have been unmoved by its incomparable beauty.
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Taj Mahal stands in the city of Agra, in the northern Indian state of Uttar Pradesh, on the banks of the Yamuna river. It was built in the memory of the beautiful Arjumand Bano Begum, who won the heart of a Mughal prince. She was married at 21 to Emperor Jahangir's third son Prince Khurram and stayed loyally by his side through good times and bad: in the luxurious royal palaces of Agra as well as the transient tents of war camps.
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A memorial to his beloved
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In AD 1628, Khurram became king after a bloody battle of succession; he took the name Shahjahan or King of the World and showered his beloved begum with the highest titles. She became Mumtaz Mahal, the Exalted of the Palace and Mumtaz-ul-Zamani, the Exalted of the Age. But Mumtaz Mahal was not destined to be queen for long.
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In 1631, Shahjahan went on an expedition to the South and, as always, Mumtaz Mahal accompanied him. But she died in childbirth at Burhanpur. She had borne Shahjahan fourteen children, of whom four sons and three daughters survived. When Mumtaz Mahal died, she was just 39 years old. Shahjahan was inconsolable and contemporary chronicles tell of the royal court mourning for two years. There was no music, no feasting, and no celebration of any kind.
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Shahjahan, who was a passionate builder, now decided to erect a memorial marble that the world would never forget. The site selected for the tomb was a garden by the Yamuna river, unshadowed by any other structure. The garden had been laid by Raja Man Singh of Amber and now belonged to his grandson, Raja Jai Singh. By a royal firman, Shahjahan gave Jai Singh four havelis in exchange for the garden. The site was also chosen because it was located on a bend in the river, and so could be seen from Shahjahan's personal palace in Agra Fort, further upstream.
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A labour of love
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Work on the mausoleum began in 1633 and 20,000 workers laboured for 17 years to build it. The most skilled architects, inlay craftsmen, calligraphers, stone-carvers and masons came from all across India and lands as distant as Persia and Turkey. The master mason was from Baghdad, an expert in building the double dome from Persia, and an inlay specialist from Delhi.
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The tomb was completed in AD 1650. But, Shahjahan was deposed by his son Aurangzeb in 1658 and imprisioned in the Agra Fort. He spent his last years in the Mussalman Burj looking downstream at the Taj where his beloved Mumtaz Mahal lay. Sixteen years later he, too, was laid to rest beside her.
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The bejewelled Palace
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Shahjahan's two biggest passions were architecture and jewellery and both are reflected in the Taj Mahal. He visualised a building in marble and then had it decorated with semi-precious stones inlaid with the delicacy of handcrafted jewellery. Marble in purest white was brought from Makrana in Rajasthan, yellow marble and rockspar from the banks of the Narmada river, lack marble from Charkoh and red sandstone from Sikri. For the intricate pietra dura the finest gems were collected - crystal and jade from China, lapis lazuli and sapphires from Sri Lanka, jasper from Punja, carnelian from Baghdad and turquoise from Tibet.
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Yemen sent agates, the corals came from Arabia, the garnets from Bundelkhand, onyx and amethyst from Persia. Mumtaz Mahal's final resting-place was ornamented like a queen's jewel-box.

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The Complex
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You enter the Taj complex through an arcaded forecourt where some of Shahjahan's other queens lie buried. The forecourt also has the Jilau Kana, a bazaar with cloisters leading to the main entrance of the tomb. The imposing gateway is made of red sandstone highlighted with marble and has octagonal kiosks on top. The gateway is an imposing 30 metres high and a fitting entrance to the Taj Mahal. The soaring arch is inscribed with a beautiful design of inlaid flowers and calligraphy.
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As you enter the dark octagonal chamber under the gateway, the light streaming in from the opposite doorway draws you towards it. Here, framed by the arch of the doorway, the Taj Mahal reveals itself to the viewer with dramatic power. It stands at the end of a long walkway,
framed by landscaped gardens and an ever-changing sky, its snowy marble glittering in the sunlight.

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Taj Mahal stands at one side of a garden laid in the tradition charbagh style, with its square lawns bisected by pathways, water channels and rows of fountains. Halfway down the path there is a square pool, its limpid waters reflecting the marble tomb. Unlike other tombs, Taj Mahal stands at one end of the garden instead the centre. This was done deliberately, to leave its vista uncluttered by any other building.
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The Main Building
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The tomb stands on a marble plinth six-metres high. The four minarets at each corner beautifully frame the tomb. The plinth stands on a high standstone platform and at the far ends of this base are two identical sandstone structures, a mosque to the west and its jawab, or echo, to the east. This was the mehman khana or guesthouse. Thus, the main building is not just of great size but beautifully proportioned and balanced in design.
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The octagonal central hall has four smaller octagonal halls round it and is decorated with magnificent inlay and dado panels done in high relief. The bulbous, perfectly-balanced double dome rises to a height of 45 metres and the four chhattris flanking and balancing the high drum give it added height. Taj Mahal rises 75 metres high and is, in fact, taller than the Qutb Minar.
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An ornate marble screen, carved so fine that it almost has the texture of lace surrounds the cenotaphs in the central hall. However, as was the tradition during Mughal times, the actual graves lie in an underground crypt directly below the cenotaphs.
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Intricacy in design
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What is most amazing about the Taj Mahal is the fine detailing. The
coloured inlay is never allowed to overwhelm the design, as carvings
done in relief sensitively balance it. The ornate pietra dura and
relief carvings are of floral, calligraphic and geometric designs.
However, flowers remain the main decorative element as the tomb
depicts a paradise garden. The skill of the inlay worker is so fine
that it is impossible to find the joints, even when as many as 40 tiny
pieces of semi-precious stones have been used in the petals of a
single flower. Some of the best calligraphy of Koranic verses can be
seen around the entrance arches and on the two headstones.
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The colours of the Taj
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Taj Mahal changes its moods with the seasons and the different times
of the day. At dawn, the marble has a delicate bloom in shell pink, by
noon it glitters majestically white, turning to a soft pearly grey at
dusk. On full-moon away against the star-spangled sky. Monsoon clouds
give it a moody blue tint and it appears and disappears like a mirage
in the drifting mists of winter.
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It can be solid and earthbound, fragile and ethereal, white, amber,
grey and gold. The many faces of Taj Mahal display the seductive power
of architecture at its best.
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